Housing in Etxebarri

In this report it was essential to show the work of the house as a whole because the studies have their own visual identity and print it in every reform they make.
No decision is random, at least when they have total freedom to decide, since the work they do is going to be the client’s home and they are the ones who ultimately have the power of decision.

When there are elements that have not been decided by the studio, they cannot be completely omitted, but with photographic composition techniques we can make them stand out to a lesser extent.
In this work it was important to emphasize the children’s bedroom so it was given more prominence than it would have in a normal home.

Apart from the photographic reportage we also make a video reportage, so the material needed for this type of reportage is greater, in particular the necessary equipment to move the cameras in a stable way, without making swaying.
The camera I use is from Fujifilm and allows recording in 6K quality with 10bit color depth and up to 14 steps of latitude, which gives a very rich color quality and a smooth transition between shadows and lights.

In my architectural and interior photography work, I always resort to specialized equipment that allows me to obtain results with a high level of quality.
I use a tripod with a rack and pinion head to ensure maximum stability and avoid any movement that could compromise the sharpness of the images.
The fixed focal length decentralized lenses I use are essential to correct perspective and maintain the geometric integrity of the structures photographed.
These lenses range from 18mm to 75mm and can even use a telephoto lens when the situation requires it.

In the post-production stage, I apply advanced techniques to ensure that colors, lighting and details are faithfully represented, so that each image is not only an accurate reproduction of the architectural work, but also an accurate representation of the visual perception of the space.